{"title":"Classic \u0026 Vintage","description":"","products":[{"product_id":"enkei","title":"Enkei","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e*This book is secondhand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA photobook by Japanese photographer Kyoji Takahashi.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSelf-taught in photography, Takahashi used a Deardorff 8×10 camera with color film, producing images that appeared not only in Japanese magazines and advertisements but also in international publications such as \"Purple\". His work brought great excitement to the Japanese photography scene of the 1990s and influenced a new generation of photographers, including Noriko Seino.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-stringify-type=\"paragraph-break\" class=\"c-mrkdwn__br\" aria-label=\"\"\u003e\u003c\/span\u003e\u003cspan\u003eAt the peak of his popularity around 2000, he abruptly stepped away from commercial photography to focus on his artistic practice, leading many to believe he had disappeared from the public stage. However, in 2016, he resumed commercial photography, since then continuing to pioneer a unique form of photographic expression free from conventional frameworks.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-stringify-type=\"paragraph-break\" class=\"c-mrkdwn__br\" aria-label=\"\"\u003e\u003c\/span\u003e\u003cspan\u003eThis book, first published in 2009 as his first photobook in 12 years, presents a series of snapshots taken at a fixed point in front of construction-site shutters in the city during twilight, just before sunset. The work evokes a resonance with \"Labor Anonymous\" (1946), Walker Evans’s series capturing workers in Detroit, an industrial city in the American Midwest.\u003c\/span\u003e\u003c\/p\u003e","brand":"Little More","offers":[{"title":"Default Title","offer_id":51533590495521,"sku":null,"price":3800.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/0218\/1921\/files\/1_c0f939d5-3ce5-4f8f-9720-e3e013be0953.jpg?v=1755470130"},{"product_id":"minds-eye","title":"Mind's Eye","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e*Available only in Europe\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e*This book is secondhand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eA photobook by Japanese photographer Koichi Inakoshi.\u003cbr\u003eAfter working as a graphic designer, Inakoshi transitioned to freelance commercial photography in the 1970s. While he remained active on the front lines as a portrait photographer, leading a busy professional life, he also continued to carry his camera privately—independently of any commission—capturing snapshots of everyday life and his travels for himself.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eIn 1971, he published his first photobook \"Maybe, maybe\" a collection of such snapshots. Its free-spirited style—photographs taken without a fixed theme, simply following his intuition—drew wide attention. From then on, he went on to publish numerous photobooks and hold many solo exhibitions, captivating a devoted audience until his sudden passing in 2009.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThis volume was published in conjunction with a posthumous exhibition at the Tokyo Photographic Art Museum in 2009. It brings together a wide range of works, from his early \"Maybe, maybe\" to his late series \"Basho-kei\", allowing readers to appreciate his exceptional sense of composition and free, intuitive gaze.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe book was supervised by Ryuichi Kaneko, a foremost scholar of Pictorialism in Japan, who explored the fragmented history of Japanese photography and wove it into a continuous narrative. Beyond his scholarship, Kaneko was deeply committed to photographic education, fostering future generations of researchers and curators engaged in the study of Japanese photographic history. He also contributed significantly to the formation of the museum itself, participating in the establishment of the Tokyo Photographic Art Museum from its earliest planning stages.\u003c\/p\u003e","brand":"KYURYUDO ART PUBLISHING","offers":[{"title":"Default Title","offer_id":51533598032161,"sku":null,"price":5800.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/0218\/1921\/files\/Mind_sEye_1.jpg?v=1755470106"},{"product_id":"hometown-2","title":"Hometown 2","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e*This book is secondhand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis is a photobook by Japanese photographer Kiyoshi Sonobe.\u003cbr\u003eSonobe first entered the world of photography in 1942, when he joined Tōhōsha—the publisher of the propaganda photo magazine \"FRONT\"—as a darkroom technician. That experience gave him the chance to study under the renowned photographer Ihei Kimura, which inspired him to become a photographer himself.\u003c\/p\u003e\n\u003cp\u003eAfter the war, he set out on his own as a freelance photographer, traveling all over Japan. Along the way, he photographed local landscapes, folk toys, and customs, capturing a way of life in which people lived closely with nature, just before Japan entered its era of rapid economic growth.\u003c\/p\u003e\n\u003cp\u003eThis book brings together photographs from Sonobe’s journeys across the country—from Wakkanai at the northern tip of Japan, to Tōno and Hida-Takayama, the northern shores of Lake Biwa in Shiga, Aso in Kumamoto, and all the way down to Taketomi Island in Okinawa. His images show traditional houses built from wood and straw, and offer a glimpse into everyday life at a time when electricity and gas were not yet part of people’s homes.\u003c\/p\u003e","brand":"Yama-Kei Publishers","offers":[{"title":"Default Title","offer_id":51533731922209,"sku":null,"price":3800.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/0218\/1921\/files\/1_c7ebb360-950d-44b5-afa7-7fe441cb1086.jpg?v=1755470080"},{"product_id":"river-kitakami","title":"RIVER KITAKAMI","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e*Available only in Europe\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e*This book is secondhand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis is a photobook by Japanese photographer Kiyoshi Sonobe.\u003cbr\u003eSonobe began his career in 1942, when he joined Tōhōsha—the publisher of the propaganda photo magazine \"FRONT\"—as a darkroom technician. That experience gave him the chance to study under the well-known photographer Ihei Kimura, which set him on the path to becoming a photographer himself.\u003c\/p\u003e\n\u003cp\u003eAfter the war, he worked as a freelance photographer, traveling across Japan. He documented local landscapes, folk toys, and customs, capturing the way people lived closely with nature in the years before Japan’s rapid economic growth.\u003c\/p\u003e\n\u003cp\u003eThis particular book focuses on the Kitakami River, which flows through Iwate and Miyagi prefectures. Through its pages, Sonobe reveals the deep connection between people and the river, showing both daily life and the surrounding scenery. His photographs offer a glimpse of how people lived in Japan before Westernization began to change everyday life.\u003c\/p\u003e","brand":"HEIBONSHA","offers":[{"title":"Default Title","offer_id":51533731987745,"sku":null,"price":3800.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/0218\/1921\/files\/1_4377c9cc-202b-4b5e-a9ca-c3f52cb68eac.jpg?v=1755470053"},{"product_id":"uminari-no-fukei","title":"Uminari no fūkei","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e*Available only in Europe\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e*This book is secondhand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThis is a photobook by Japanese photographer Sadayoshi Shiotani.\u003cbr\u003eBorn into a well-off family in Akasaki Village (now Kotoura Town) in Tottori Prefecture, Shiotani first encountered photography as a child through the Vest Pocket Kodak, the world’s first mass-produced camera made by Eastman Kodak in the U.S. He quickly became fascinated by the medium.\u003c\/p\u003e\n\u003cp\u003eIn Japan during the Taishō era, it was popular to remove the camera’s lens hood to achieve a soft-focus effect, which reduced the blurriness and distortion that early cameras often produced. Shiotani, too, was captivated by this look, and in an age when both cameras and photographic materials were still underdeveloped, he continued to experiment daily until he found his own distinctive style.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eShiotani’s works went on to receive international recognition. They were featured in Japanese Photography: Today and Its Origins, which toured 12 countries in Europe in 1979, as well as in Photography 1922–1982 at the Museum Ludwig in Cologne, West Germany. In 1988, he held a solo exhibition that traveled to seven venues across the United States, and he was even awarded the Honorary Prize at Photokina, the world’s largest photography fair.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThis book was published for members of the Nikkor Club, run by Nikon. It was supervised by Jun Miki—the only Japanese photographer to work as a full-time staff member for LIFE magazine—and presents a comprehensive selection of Shiotani’s works. It also includes a conversation between Shiotani and fellow San’in-based photographer Shoji Ueda, offering insights into the creative processes behind their shoots and darkroom practices.\u003c\/p\u003e","brand":"Nikkor Club","offers":[{"title":"Default Title","offer_id":51533732086049,"sku":null,"price":7700.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/0218\/1921\/files\/1_29800963-42f7-4c61-beb4-93e229ec4ac3.jpg?v=1755470025"},{"product_id":"landscapes-of-japan","title":"Landscapes of Japan","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e*Available only in Europe\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e*This book is secondhand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis is a photobook by Japanese photographer Hiroshi Hamaya, who in 1987 became the first Japanese recipient of the Hasselblad International Award in Photography.\u003cbr\u003eHamaya’s fascination with photography began at the age of fifteen, when he was given a medium-format camera by a friend of his father. At twenty-four, he took on his first freelance assignment, traveling to Niigata in winter. There, he was struck by the harsh living conditions, so different from the Tokyo life he knew.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThrough his encounter with folklorist Shinji Ichikawa, Hamaya developed a cultural and anthropological perspective, turning his lens to the landscapes and everyday lives of communities in Japan’s snow country along the Sea of Japan coast. His seminal photobooks \"Yukiguni (Snow Country, 1956) \" and \"Ura-Nihon (Japan’s Back Coast, 1957) \" presented these worlds with a sharp and penetrating gaze, leaving a profound impact on the Japanese photography scene of the time.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThis book, published in 1964—the year of the Tokyo Olympics—was the result of over three years of work. It brings together aerial photographs of Japan’s distinctive landforms, starting with the karst plateau of Akiyoshidai in Yamaguchi, moving on to Senjojiki in Wakayama, Shōwa-shinzan in Hokkaido, and many more symbolic landscapes across the country. Unusually for Hamaya, the images are in color, offering a vivid record of Japan’s once-abundant natural scenery—much of which has since been lost to development and climate change.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe book’s design was created by Hiroshi Hara.\u003c\/p\u003e","brand":"HEIBONSHA","offers":[{"title":"Default Title","offer_id":51533732118817,"sku":null,"price":4000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/0218\/1921\/files\/1_6e6ce4f2-2e76-402c-b3b8-f543f8a8ce46.jpg?v=1755470002"},{"product_id":"tsugaru","title":"Tsugaru","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e*Available only in Europe\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e*This book is secondhand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis is \"Tsugaru\", the only photobook published during the lifetime of Ichirō Kojima, a photographer who, despite working for only about a decade, left an enduring mark on the history of Japanese photography.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eAfter serving in the war, Kojima returned home with a weary spirit. It was through his camera that he rediscovered the stark beauty of his birthplace, Aomori, with its severe climate and landscapes. His work caught the attention of Yōnosuke Natori, the pioneering photographer who had studied photojournalism in Germany and helped introduce the concept to Japan. Natori praised Kojima for his “eye that finds the extraordinary in the ordinary, and the skill to make powerful images from seemingly commonplace angles.”\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eWith Natori’s support, Kojima held a solo exhibition in Ginza, Tokyo, and published his photobook \"Tsugaru\" in 1963. Hoping to further his career, he moved to Tokyo, but found it difficult to adapt to the restless environment, so different from his hometown. In an effort to break through this stagnation, he traveled to Hokkaido—long a source of fascination for him—to photograph. But the unusually mild winter yielded little of what he sought, and he returned to Aomori. The strain of this trip took its toll, and Kojima passed away soon after, at the young age of thirty-nine.\u003c\/p\u003e\n\u003cp\u003eIn this book, Kojima captures the heavy, somber atmosphere of Aomori’s winters through his own darkroom techniques, which he developed to create deep tonal contrasts. The photographs depict unassuming local landscapes, ordinary townspeople, and everyday life. Interwoven with his images are texts by two fellow Aomori natives: the writer Yōjirō Ishizaka and the poet Kyōzō Takagi, known for his work in the Tsugaru dialect. The bold layout combines words and photographs into a single vision.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eEven now, more than half a century later, the gravure printing of the 1963 edition—with its distinctive texture and the mellowing of paper over time—continues to enhance the enduring power of Kojima’s work.\u003c\/p\u003e","brand":"SHINCHOSHA","offers":[{"title":"Default Title","offer_id":51533732184353,"sku":null,"price":31000.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/0218\/1921\/files\/1_016f9f70-6cd7-48e5-ac91-7824d31fe83f.jpg?v=1755469972"},{"product_id":"chicago-chicago-2","title":"Chicago, Chicago 2","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e*Available only in Europe\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e*This book is secondhand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis is a photobook by Japanese photographer Yasuhiro Ishimoto.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eBorn in San Francisco, Ishimoto returned to Japan at the age of three and spent his childhood in Kochi Prefecture. At eighteen, he went back to the United States, where he experienced the harsh realities of being interned in a Japanese-American detention camp. After his release, he studied architecture at Northwestern University in Chicago and later enrolled in the newly established Institute of Design (ID) in Chicago, a school carrying on the principles of the German Bauhaus. During his studies, Ishimoto honed his sense of form and design, earning top honors twice from László Moholy-Nagy, the school’s director, before graduating.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eFrom 1953 to 1958, Ishimoto returned to Japan at the request of MoMA to conduct research for an exhibition on Japanese architecture. During this period, he deepened friendships with leading postwar cultural figures, including architect Kenzo Tange and graphic designer Yusaku Kamekura. One of his first stops upon returning to Japan was the Katsura Imperial Villa in Kyoto, where he spent a month photographing the villa. These photographs were later published as \"KATSURA: Tradition and Creation in Japanese Architecture (1960)\", establishing Ishimoto’s reputation both in Japan and internationally.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThis book collects previously unpublished works that were not included in his earlier photobook \"Chicago, Chicago (1969)\", along with images captured during a return visit to Chicago in 1982. It spans three key periods of his life: his student years at ID from 1948 to 1952, his extended stay in Chicago from 1958 to 1961, and his 1982 visit. Across these decades, Ishimoto’s work consistently showcases his refined compositional sensibility, rooted in Bauhaus principles, and his exceptional eye for discovering compelling subjects.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51533732249889,"sku":null,"price":12000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/0218\/1921\/files\/1_fcd9e47e-d7c7-4420-a2b7-484e883e8c5a.jpg?v=1755469946"},{"product_id":"celebration-of-life","title":"celebration of life","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e*Available only in Europe\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e*This book is secondhand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis is a photobook by Japanese photographer Ikko Narahara.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eNarahara began taking photographs in 1946, while studying law at university and later pursuing a graduate degree in Spanish art history. During this time, he connected with up-and-coming artists such as Masuo Ikeda, Atsushi Kawahara, Tatsuo Ikeda, and Shuzo Takiguchi, capturing images while aiming to become an art critic. In 1956, his first solo exhibition \"The Land of Humans\" drew widespread attention for its refined compositions and its unconventional approach to subject matter, marking a turning point as Narahara set out on his path as a photographer.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eHe later became a member of the self-run agency “VIVO,” founded by fellow photographers including Eikoh Hosoe, Shomei Tomatsu, and Kikuji Kawada. From 1962 to 1965, he was based in Paris, and from 1970 to 1974 in New York, traveling across the United States, Spain, Italy, and various other countries, producing work throughout his life.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThis book collects photographs Narahara took while attending the outdoor rock festival Celebration of Life in McLea, Louisiana, from June 23 to 27, 1971, together with his wife. Captured at the height of the “hippie boom,” fueled by anti-Vietnam War movements and a youth-driven desire for peace and freedom, the images depict festival-goers enjoying themselves freely. Narahara’s perspective is notable for its objectivity, observing the scene with a detached, almost aerial eye rather than immersing himself in it. The book was edited by Shoji Yamagishi, editor-in-chief of the photography magazine \"Camera Mainichi\", which first published these images.\u003c\/p\u003e","brand":"THE MAINICHI NEWSPAPERS","offers":[{"title":"Default Title","offer_id":51533732315425,"sku":null,"price":19000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/0218\/1921\/files\/celebrationoflife_1.jpg?v=1755469913"},{"product_id":"japanesque","title":"Japanesque","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e*This book is secondhand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis is a photobook by the Japanese photographer Ikko Narahara.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eNarahara began taking photographs in 1946, while studying law at university and later pursuing graduate studies in Spanish art history. During this time, he spent his spring breaks and other free periods taking photographs while interacting with rising artists such as Masuo Ikeda, Atsushi Kawahara, Tatsuo Ikeda, and Shuzo Takiguchi, all the while aiming for a career in art criticism. In 1956, his first solo exhibition, The Land of Humans, attracted wide attention for its refined compositions and unconventional subjects, marking a turning point that set him on the path to becoming a professional photographer.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eHe later became a member of the self-run agency “VIVO,” founded by Eikoh Hosoe, Shomei Tomatsu, and Kikuji Kawada. From 1962 to 1965, he was based in Paris, and from 1970 to 1974, in New York, traveling across the United States, Spain, Italy, and various other countries, producing work continuously throughout his life.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThis book is a carefully selected compilation of his series Nihon Zufu and Extra Nihon Zufu, which were published over eight issues of the photography magazine Camera Mainichi from March 1968 to November 1969. It is organized into eight chapters, each representing a key symbol of Japan: “Mount Fuji,” “Swords,” “Noh,” “Zen,” “Color,” “Sumo,” “Connection,” and “Seal.” Each theme reflects Narahara’s deep attachment to his homeland, cultivated during his long years abroad, as well as a sense of urgency about the disappearance of traditional Japanese aesthetics amid rapid Westernization.\u003cbr\u003eThe book showcases Narahara’s signature mastery of composition, along with his sophisticated use of diverse photographic techniques—including long exposure, solarization, and color—applied thoughtfully to suit each subject. It is a testament to his extraordinary skill and creative freedom. The book was edited by Shoji Yamagishi, editor-in-chief of Camera Mainichi, with the design by Ikko Tanaka, one of postwar Japan’s leading graphic designers.\u003c\/p\u003e","brand":"THE MAINICHI NEWSPAPERS","offers":[{"title":"Default Title","offer_id":51533732413729,"sku":null,"price":38000.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/0218\/1921\/files\/1_ed67304f-c86b-4273-9dba-874cd93e2b5d.jpg?v=1755469856"},{"product_id":"jewelry-complete-copy-street","title":"Jewelry complete copy street","description":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cmeta charset=\"utf-8\"\u003e*Available only in Europe\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e*This book is secondhand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003eThis is a photo essay collection by Japanese lyricist and editor Takeshi Matsuyama, featuring snapshots he took on overseas streets during his reporting trips, accompanied by his original texts.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMatsuyama earned the nickname “Watch King” by widely promoting the unique charm of mechanical watches—which had been pushed to the brink by the rise of quartz watches—through magazines like POPEYE. He showed that quartz wasn't the only option, revealing a path for coexistence.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDuring the 1970s, the introduction of jumbo jets lowered the financial barrier to travel, allowing Matsuyama to frequently visit major cities like London, New York, and Paris for magazine assignments.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis book features photographs taken with his Leica M4-2 during breaks from these assignments. Captured in color rather than black-and-white, they vividly capture the distinct atmosphere of each city.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAs globalization made traveling the world easier, it also led to increasing homogenization. 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These dialogues unfolded while viewing photographs taken in Tokyo between 1972 and 1973.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCaptured with a Pentax 6×7 medium format film camera mounted on a tripod, these photographs depict the old, good Tokyo streetscapes before the city transformed into the modern Tokyo of towering skyscrapers, including bustling areas like Shinjuku. 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Within its pages unfolds a world that pursues the ultimate beauty woven by the interplay of artwork and nature.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"T\u0026M Projects","offers":[{"title":"Default Title","offer_id":52084887224609,"sku":null,"price":30000.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/0218\/1921\/files\/1_1dee5863-24dc-43ad-b35b-062072b709af.jpg?v=1765772000"},{"product_id":"chicago-chicago","title":"Chicago, Chicago","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e*Available only in Europe\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eAlongside Someday, Somewhere and Katsura, this volume stands as a crowning achievement in the history of Japanese photobooks. Chicago, Chicago is the ultimate realization of Yasuhiro Ishimoto’s extraordinary \"power of gaze,\" cultivated at the Institute of Design in Chicago (the New Bauhaus). Through his lens, the city’s architecture, street signs, and the raw energy of its people and children are transformed into a series of profound images defined by rigorous composition and a sophisticated modernist sensibility.\u003cbr\u003e\u003cbr\u003eThe book features a majestic design by the legendary Yusaku Kamekura. From thousands of negatives, fewer than 200 were selected and reproduced using a luxurious two-color printing process, resulting in a volume of immense physical and artistic presence. With a foreword by his mentor Harry Callahan and text by Shuzo Takiguchi, this work transcends mere urban documentation. It is a world-class masterpiece where a radical formal vision pierces the very heart of the city.\u003c\/span\u003e\u003c\/p\u003e","brand":"Bijutsu Shuppan-Sha","offers":[{"title":"Default Title","offer_id":52331296194849,"sku":null,"price":81500.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/0218\/1921\/files\/Chicago_-Chicago_1.jpg?v=1770699034"},{"product_id":"dioramas","title":"DIORAMAS","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e*Available only in Europe\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eDioramas is the definitive collection of Hiroshi Sugimoto's first and most iconic series, a project that has spanned over 40 years. This volume offers a comprehensive look at the work that launched Sugimoto’s international career, enriched with newer additions from 2012.\u003cbr\u003e\u003cbr\u003eIn 1974, inspired by the elaborate displays at the American Museum of Natural History in New York, Sugimoto discovered that through the camera's lens, artificial models could appear more vivid and convincing than reality itself. By meticulously framing these taxidermy scenes to exclude all signs of museum artifice—labels, reflections, and barriers—he blurs the line between fiction and reality, fundamentally challenging the \"truth\" of the photographic medium.\u003cbr\u003e\u003cbr\u003eA profound exploration of Sugimoto’s recurring theme of \"fossilizing time,\" this series narrates the cycles of life, death, and rebirth. It remains a sharp inquiry into the nature of visual perception and the essence of photography. This book marks the brilliant first volume in a planned five-book series dedicated to Sugimoto’s major bodies of work.\u003c\/span\u003e\u003c\/p\u003e","brand":"Damiani","offers":[{"title":"Default Title","offer_id":52331297636641,"sku":null,"price":30000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/0218\/1921\/files\/DIORAMAS---HIROSHI-SUGIMOTO_1.jpg?v=1770699079"},{"product_id":"kawa","title":"KAWA","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e*This book is secondhand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOne day, I encountered a single stream and felt a sense of freshness in the existence of a \"river,\" which changes from a one-way flow, different from the waves I had photographed before, into the grand sea. Since then, I have walked around the world for six years, from Iguazu Falls, Niigata and Nagano in Japan, to China, Australia, Canada, Morocco, and Zimbabwe, continuing to photograph various rivers. \"Rivers\" have existed naturally in our lives since ancient times.\u003c\/p\u003e\n\u003cp\u003eOn the other hand, as the Sanzu River represents, they are also special existences that span the boundary between this world and the next. \u003c\/p\u003e\n\u003cp\u003eLike the posture of looking inward and confronting oneself through sutra chanting, this is a work created by gazing at many rivers, facing them, and pressing the shutter while discerning their essence.\u003c\/p\u003e","brand":"FOIL","offers":[{"title":"Default Title","offer_id":52624676127009,"sku":null,"price":6125.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/0218\/1921\/files\/1_2bc2b001-ef2f-456d-8543-58390f18b5ff.jpg?v=1779949257"},{"product_id":"nami","title":"NAMI","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e*This book is secondhand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe first collection of works by Shoin Kajii, a monk and photographer. It is composed based on the work that won the Grand Prix at the 1st Foil Award organized by the visual magazine \"FOIL.\"\u003c\/p\u003e\n\u003cp\u003eLiving on Sado Island as a Shingon Buddhist monk and facing the sea, it contains images of waves generated on the water's surface as an accumulation of the practice of continuously photographing waves.\u003c\/p\u003e\n\u003cp\u003eThe work is supported by a precise attitude of meticulously checking wind speed and wave height to aim and shoot, and a spirit that continues to boldly point the lens even in a storm.\u003c\/p\u003e\n\u003cp\u003eA work that combines a spiritual atmosphere with dynamism.\u003c\/p\u003e","brand":"FOIL","offers":[{"title":"Default Title","offer_id":52624676159777,"sku":null,"price":12250.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/0218\/1921\/files\/1_f7c614e5-9430-406e-9c31-1bc4edc0ca6f.jpg?v=1779946769"},{"product_id":"chicago-and-tokyo","title":"Chicago and Tokyo","description":"\u003cp\u003e*Available only in Europe\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e*This book is secondhand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThis book explores the vision of Yasuhiro Ishimoto, one of postwar Japan’s most influential photographers, through the lens of two distinct cities: Chicago and Tokyo. Combining a structured, formalist approach honed at the Bauhaus with a deep, humanistic engagement with his subjects, Ishimoto transcended the conventions of mainstream journalism and documentary photography of his time. This exhibition catalog presents a compelling interplay between his iconic Chicago series and his evocative snapshots of Tokyo. It is a monumental collection that invites readers into a monochromatic world, capturing Ishimoto’s quiet, refined, and enduring aesthetic.\u003c\/p\u003e","brand":"TOKYO PHOTOGRAPHIC ART MUSEUM","offers":[{"title":"Default Title","offer_id":52838671909153,"sku":null,"price":10000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/0218\/1921\/files\/1_3cf3f894-6599-4348-b56a-21e40cf4f3c9.jpg?v=1781243815"},{"product_id":"moment","title":"moment","description":"\u003cp\u003e*Available only in Europe\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e*This book is secondhand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMoment (Toki) is a masterful photography book by internationally acclaimed photographer Yasuhiro Ishimoto. Originally published in 2004 when the artist was over 80 years old, this work represents the pinnacle of his artistic journey, profoundly asking the fundamental question: \"What is time?\"\u003cbr\u003e\u003cbr\u003eTurning his lens to the transient and the perishing, Ishimoto captures a profound beauty in the overlooked details of our world. The pages are filled with quiet, micro-fragments of everyday life and nature in transition—rain-soaked fallen leaves, crushed empty cans, footprints left in the snow, and the shimmering light on a water's surface. Through these modest subjects, Ishimoto reveals his deep, unwavering gaze into the essence of life and the fleeting nature of time.\u003cbr\u003e\u003cbr\u003ePraised for seamlessly blending Japanese, American, and German photographic sensibilities, Moment stands as a monumental testament to an artist's lifelong dedication to his craft. It invites readers to pause, observe, and experience the ultimate expression of Ishimoto's photographic art.\u003c\/span\u003e\u003c\/p\u003e","brand":"HEIBONSHA","offers":[{"title":"Default Title","offer_id":53075832537377,"sku":null,"price":13000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/0218\/1921\/files\/1_7abfcbe3-d900-49c7-812e-37cc02a54efc.jpg?v=1784959188"},{"product_id":"shibuya-shibuya","title":"Shibuya, Shibuya","description":"\u003cp\u003e*Available only in Europe\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e*This book is secondhand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eShibuya, Shibuya by Yasuhiro Ishimoto, one of Japan’s most prominent photographers, is a remarkable collection that highlights the essence of his street photography. \u003c\/p\u003e\n\u003cp\u003eWhile Ishimoto is widely celebrated for his formal elegance and architectural compositions—instilled during his time at the New Bauhaus—such as his iconic series on the Katsura Imperial Villa, his core passion remained deeply rooted in street snaps.\u003c\/p\u003e\n\u003cp\u003eCreated in his late eighties, this volume primarily consists of candid, shooting-from-the-hip photographs captured around the bustling Shibuya Scramble Crossing. 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Across his career he has pursued the record of cities, people and places: the raw energy of 1980s New York, Okinawa's base town of Koza, the collapsing Soviet Union in USSR 1991, Eastern Europe, and the long-running frontal-portrait series PORTRAITS. ISOLATED PLACES was presented in 2012 at Rat Hole Gallery in Omotesando, Tokyo. It marks the Kitajima of the 2010s, who moved from his early grainy black-and-white snapshots toward meticulous large-format color descriptions of landscape and place. The title's sense of \"isolated places\" suggests an attention to stilled terrain that still bears the traces of human activity—resonant with its timing one year after the 2011 Tohoku earthquake and Fukushima disaster. This direction would soon open into his nationwide series Untitled Records. Because standalone documentation of this specific project is scarce online, this note stays cautiously within the artist's verifiable context and manner. 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The photographer who once raced through the streets in Photo Express: Tokyo here changes method entirely, using a large-format camera to make big color photographs and quietly amassing landscapes from Hokkaido to Okinawa. Underlying the project is the 2011 Tohoku earthquake and the Fukushima nuclear accident. Photographing the disaster zones of Sanriku and Fukushima, Kitajima has said he arrived at a sense that immediate reality and the overwhelming \"reality of images\" flooding in from nowhere can no longer be cleanly separated. Even the title—\"untitled records\"—reflects an era in which it has become difficult to experience the world from a single, privileged, all-surveying viewpoint. Conceived as a long-term undertaking of more than twenty volumes released at roughly four-year intervals, it records post-disaster Japan with a cool, deliberate gaze quite unlike dramatic photojournalism. It counts among the significant achievements of contemporary Japanese photography.\u003c\/span\u003e\u003c\/p\u003e","brand":"KULA","offers":[{"title":"Default Title","offer_id":53377515979041,"sku":null,"price":9000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/0218\/1921\/files\/1_feb0a5be-4ab8-4854-a0e9-d88a673c793d.jpg?v=1788416746"},{"product_id":"yasui-nakaji-japanese-photographers-series-vol-9","title":"Yasui Nakaji: Japanese Photographers Series vol.9","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e*Available only in Europe\u003cbr\u003e\u003cbr\u003e*This book is secondhand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePart of Iwanami Shoten's \"Japanese Photographers\" series, this monograph traces the work of Nakaji Yasui (1903-1942), a photographer active in prewar Kansai who died at just 38, through plates of his key works accompanied by commentary and a chronology. Born into a wealthy Osaka paper-wholesaling family, Yasui joined the Naniwa Photography Club in the 1920s and the Tampei Photography Club in 1930, becoming a central figure in the Kansai photography scene while still young. His output resists any single style: he moved freely from early Pictorialism to straight photography, photomontage and street snapshots, embracing every kind of image without prejudice. Works such as \"Wandering Jews,\" documenting Jewish refugees who fled Nazi persecution to Kobe, and his \"Yamane Circus Troupe\" series reveal an unshowy technique and a compassionate gaze toward those on society's margins. Admired by later photographers including Ken Domon and Daido Moriyama, Yasui is served here by a compact yet authoritative introduction that remains a basic reference on his art.\u003c\/span\u003e\u003c\/p\u003e","brand":"Iwanami Shoten","offers":[{"title":"Default Title","offer_id":53377516011809,"sku":null,"price":4500.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/0218\/1921\/files\/1_2fcbb16c-e5fe-4d12-b1f8-0aaf3e7cb046.jpg?v=1788409796"},{"product_id":"the-people","title":"THE PEOPLE by KISHIN","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e*Available only in Europe\u003cbr\u003e\u003cbr\u003e*This book is secondhand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"THE PEOPLE by KISHIN: The Power of Photography\" (Yomiuri Shimbun, 2012) is the compilation of Kishin Shinoyama's large touring exhibition \"Shashin-ryoku \/ THE PEOPLE by KISHIN.\" Shinoyama (1940–2024), trained at Nihon University, was a national photographer who chronicled postwar Japan's stars and cultural moods—from the \"Double Fantasy\" cover of John Lennon and Yoko Ono to the record-breaking nude book \"Santa Fe\" and the \"gekisha\" phenomenon. At the heart of the project is the idea of \"photographic power\" (shashin-ryoku): photography's unique capacity to hurl a person's presence and vital energy at the viewer at larger-than-life scale. In enormous prints, it gathers legends who have passed, such as Yukio Mishima and Hibari Misora, alongside stars of successive eras like Momoe Yamaguchi, Seiko Matsuda, and AKB48, together with festive spectacle such as kabuki, the nude body, and images from the areas devastated by the 2011 earthquake and tsunami (linked to his \"ATOKATA\" work). Both a record of individual celebrities and a portrait of \"the people\" who lived each era, the exhibition toured Japan for some seven years, closing in 2019. 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Issued in a limited edition of 1,000 copies at a generous 20 x 30 cm and running to only around sixteen plates, it is closer to an artist's book than a catalogue. Rather than commissioning a conventional lookbook, Kurogouchi handed the shooting of her seasonal collection over to Araki, who then built the images through collage — taping together positives from the fashion shoot with his own photographs of small, peculiar arrangements of flowers, dolls, toys, and sex objects. The result dissolves the boundary between fashion and still life, eroticism and the everyday, treating garments, bodies, and objects as equally desirable subjects. The tension is the point: mame kurogouchi's delicate, botanical, quietly sensual world collides with Araki's provocatively raw eye, producing an unexpected chemistry. 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Having long photographed engineered terrain in black and white, Shibata shifted decisively toward color around the mid-2000s, and this volume shows how his landscapes were renewed once they acquired hue. The subjects remain consistent—spillway faces of dams, erosion-control barriers, mortared retaining walls, roads threading through mountains—but the addition of subtle color, from concrete gray and moss green to the white of falling water and the brown of exposed earth, gives the images a denser, at once matter-of-fact and sensuous presence. His compositional method persists: horizon and sky are excluded, the subject is faced head-on and flattened, preserving the characteristic tension in which the man-made and the natural contend and merge. Rather than protest or praise, Shibata offers quiet, sustained attention that lets anonymous civil engineering register as \"landscape.\" Because fine bibliographic detail is limited online, this note follows his verifiable style. It stands as a mature statement of his color practice.\u003c\/span\u003e\u003c\/p\u003e","brand":"Ryoko Yomiuri","offers":[{"title":"Default Title","offer_id":53377516110113,"sku":null,"price":12000.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/0218\/1921\/files\/1_37b8ad67-7e6c-4bb4-80f8-f3722c23471b.jpg?v=1787725480"},{"product_id":"ishimoto-yasuhiro-centennial","title":"Ishimoto Yasuhiro Centennial","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e*Available only in Europe\u003cbr\u003e\u003cbr\u003e*This book is secondhand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublished to mark the centennial of Yasuhiro Ishimoto (1921-2012), this 301-page bilingual volume is the official catalogue of the large retrospective held in autumn 2020 at the Tokyo Photographic Art Museum and the Tokyo Opera City Art Gallery. Born in San Francisco, raised in Kochi, and drawn to photography while interned at Amache during the war, Ishimoto trained in Chicago at the Institute of Design under Moholy-Nagy, Harry Callahan, and Aaron Siskind, absorbing a rigorous Bauhaus modernism. The book surveys that whole arc rather than a single project: the taut geometry and play of light in his celebrated Katsura studies, the streets and citizens of Chicago and Tokyo, portraits, and his later abstractions. Reference apparatus—bibliography, list of works, and a chronology—rounds out the plates, giving the catalogue lasting research value. What emerges is the essence of his vision: an unsentimental, penetrating gaze and a robust structural sense that refuses easy \"Japanese\" atmosphere. Comprehensive and handsomely produced, it serves equally as an introduction for newcomers and a solid starting point for serious study.\u003c\/span\u003e\u003c\/p\u003e","brand":"Heibonsha","offers":[{"title":"Default Title","offer_id":53377516142881,"sku":null,"price":7000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/0218\/1921\/files\/1_979608f4-fbab-4c38-bd8b-7060538e1eeb.jpg?v=1788430237"},{"product_id":"the-essence-of-toshiko-okanoue","title":"The Essence of Toshiko Okanoue","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e*Available only in Europe\u003cbr\u003e\u003cbr\u003e*This book is secondhand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis volume distills the \"essence\" of Toshiko Okanoue's photo collages, a body of work created in an intense burst during the early 1950s. Born in Kochi and trained at Bunka Gakuin, Okanoue cut and reassembled images from Western fashion and picture magazines such as Vogue, Harper's Bazaar and Life to build dreamlike black-and-white worlds. A pivotal introduction to the poet and critic Shuzo Takiguchi, who exposed her to European Surrealists like Max Ernst, shaped her sensibility. Elegant gowned women, crumbling architecture, birds and skies are spliced into unreal compositions where beauty and unease coexist. With its bilingual English title, the book presents her to an international audience and situates her within Japan's postwar avant-garde. Having abandoned art on marrying and fallen silent for four decades before her rediscovery in the 1990s, Okanoue left a small but remarkable oeuvre; this collection lets readers savor the concentrated core of that brief, luminous career.\u003c\/span\u003e\u003c\/p\u003e","brand":"Kawade Shobo Shinsha","offers":[{"title":"Default Title","offer_id":53377516175649,"sku":null,"price":3900.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/0218\/1921\/files\/1_0c27696c-cdf7-4f64-81a9-fd9259f9f4a5.jpg?v=1787731860"},{"product_id":"the-miracle-of-silence","title":"The Miracle of Silence","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e*Available only in Europe\u003cbr\u003e\u003cbr\u003e*This book is secondhand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublished in 2019 alongside the Kawade Shobo Shinsha edition, this book is a retrospective collection tied to exhibitions held at venues including the Museum of Art, Kochi. Its title, \"The Miracle of Silence,\" captures Okanoue's own trajectory: an artist who stopped working after marriage and, after a long silence, was rediscovered in the 1990s by curator Ryuichi Kaneko. As in the companion volume, the heart of the book is her early-1950s photo collages, in which women, landscapes and objects clipped from Vogue, Life and similar magazines are cut and recombined into Surrealist visions. Where the Kawade \"Essence\" edition concentrates on the sheer beauty of the images, this Seigensha volume leans toward the exhibition catalogue, tracing her life and historical context more fully. It helps readers grasp how themes of war, femininity and gender relations lie hidden beneath her delicate imagery. Read together with the Kawade book, it gives a rounded picture of an art born in a remarkably brief creative span.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Seigensha","offers":[{"title":"Default Title","offer_id":53377516208417,"sku":null,"price":10000.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/0218\/1921\/files\/1_096f926e-f245-4f11-95e3-c2c705bc9348.jpg?v=1787729597"},{"product_id":"sentimental-journey-ten-years-later","title":"Sentimental Journey, Ten Years Later","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e*Available only in Europe\u003cbr\u003e\u003cbr\u003e*This book is secondhand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA decade after Sentimental Journey (1971), the self-published honeymoon album with which Araki proclaimed his so-called \"I-photography,\" he returned to his defining subject: his wife, Yoko, and the act of traveling together. First issued by Fuyukisha in 1982 and reissued by Chikuma Shobo in 1992, the book is credited jointly to Nobuyoshi and Yoko Araki and gathers snapshots from trips abroad around 1981 — Paris, Spain, Argentina — marking their tenth wedding anniversary. Where the 1971 work pulsed with newlywed intensity, this sequel carries the quieter texture of a marriage that has weathered time, its gaze more familiar and worn-in. Read alongside the earlier and later volumes, it reveals that Araki's private photography was never a one-off document but an ongoing diary, continuously renewed across a lifetime. It occupies the middle ground of the long chronicle of Yoko that would culminate, devastatingly, in Winter Journey. For anyone tracing how the personal snapshot became Araki's central artistic instrument, this is an essential link — travel, domestic life, and the beloved as recurring subject, thickened by ten years of shared time.\u003c\/span\u003e\u003c\/p\u003e","brand":"Chikuma Shobo","offers":[{"title":"Default Title","offer_id":53483619516705,"sku":null,"price":7000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/0218\/1921\/files\/1_87ec9e1a-64f2-49cd-9181-c79c7d61ffea.jpg?v=1789022130"}],"url":"https:\/\/btob.bookandsons.com\/collections\/vintage.oembed?page=3","provider":"BOOK AND SONS","version":"1.0","type":"link"}